Cameron Diaz, Cara Delevingne, Bianca Brandolini and Vanessa Paradis had better things to think about than European fiscal policy last week in Paris.
It was indeed a tale of two cities - the best of times, the worst of times; one half of Paris filled with eurocrats huddling over the demise of their single currency. The other interested in something all together more important – how was Christian Dior under Bill Gayten going to fare this season? This was Paris couture week and nothing else could have been more interesting. Gayten’s second collection post-Galliano got a thumbs up with its hand-painted fabrics and classic Dior silhouette. At Chanel there was almost a stampede outside the Grand Palais as socialites and fashion mavens thronged through a fake airport terminal and into the life size model aeroplane that was the wow-like set for Karl’s show where Cara Delevingne walked down a double-C’d carpet and took her crown as the latest supermodel. Meanwhile Giambattista Valli embraced the colour pink with his collection and was supported by his usual cluster of hardcore euro-socials (Bianca Brandolini et al) and Cameron Diaz caused quite the stir by attending a very un-Hollywood threesome of shows (The Big Three - Dior, Chanel and Armani). There were almost audible sighs of relief as conspiracy theories evaporated and the news got out that she was merely there to style herself for an InStyle couture shoot. While those eurocrats were pouring over their fiscal crisis fashionable Paris danced – and there were plenty of excuses to fiddle while the Elysee burnt. Miuccia Prada gave a grand dinner, cool Colette, the boutique, feted London’s Mary Katrantzou. But the peg of ‘big party of the week’ was held onto by the Sidaction Aids charity dinner; Diane Kruger wore Erdem, the Clarins sisters posed for the photographers before Vanessa Paradis arrived in Chanel and stole the limelight. Age of austerity? What age of austerity?
Contributing Editor: Richard Dennen
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